domingo, 17 de agosto de 2014

de um tempo em que o Ferrara ainda fazia filmes, e não "estados gerais do mundo".

With the sound of a cork popping in the background, Ferrara states upfront that the only reason he agreed to do the commentary at all is for the $5,000 in cash, and he sets about earning every dime. Frequently distracted by Bojan Bazelli's gorgeous cinematography ("It's Rembrandted out"), especially when it accentuates the female form ("Everything's perfecto, including this piece of ass"), Ferrara goes on to remark that he would never make a movie like King Of New York again, because the filmmaking is "fascistic" in its precision.