With the sound of a cork popping in the background, Ferrara states
upfront that the only reason he agreed to do the commentary at all is
for the $5,000 in cash, and he sets about earning every dime. Frequently
distracted by Bojan Bazelli's gorgeous cinematography ("It's
Rembrandted out"), especially when it accentuates the female form
("Everything's perfecto, including this piece of ass"), Ferrara goes on
to remark that he would never make a movie like King Of New York again, because the filmmaking is "fascistic" in its precision.